Made in France: Studies in Popular Music Edited by Gérôme Guibert and Catherine Rudent Made in the Low Countries: Studies in Popular Music Edited by Lutgard Mutsaers and Gert Keunen Made in Turkey: Studies in Popular Music Edited by Ali C.
Written by those living and working in the countries about which they write, this series is devoted to popular music largely unknown to Anglo-American readers. Te series of volumes can be used for academic teaching in popular music studies, or as a collection of reference works. Te Routledge Global Popular Music Series provides popular music scholars, teachers, students, and musicologists with a well-informed and up-to-date introduction to diferent world popular music scenes. Routledge Global Popular Music Series Series Editors: Franco Fabbri, Conservatorio di Musica Arrigo Boito di Parma, Italy, and Gofredo Plastino, Newcastle University, UK Santaella is an associate professor and head of the Film and Performing Arts Department at Sunway University, Malaysia.
Adil Johan is a research fellow at the Institute of Ethnic Studies (KITA), Universiti Kebangsaan Malaysia. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music. Trough a critical investigation of specifc genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music 2) history 3) artists and genres and 4) national vs. Each essay covers major fgures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia.
Nasir, Joey Ayala, Dwiki Dharmawan, and Pra Budi Dharma on Nusantara Popular Music
Introduction: Popular Music as a Means of Conceptualising the NusantaraĬhapter 1 Revisiting the “Traditional” and the “Popular” in Maritime Southeast Asia: Towards a Nusantara Popular PraxisĬhapter 2 Colonialism and Identity: A Short History of Popular Music in the PhilippinesĬhapter 3 The (De-) and (Re-) Mythification of OPM: Decentring a Popular Music SignĬhapter 4 Popularising Malaysian Cultures through the Music Industry and Music EducationĬhapter 5 Revisiting Post-Cultural Imperialism: Singing Vernacular Modernity and Hybridity through the Lagu Melayu in British MalayaĬhapter 6 Acoustic Epistemologies and Early Sound Recordings in the Nusantara Region: Phonography, Archive, and the Birth of EthnomusicologyĬhapter 7 Bodabil Music in the Rise of the American EmpireĬhapter 8 Songs for and of the Youth: Mapping Trends in Philippine Popular Music, 1900–2000Ĭhapter 9 Singapore Arts Icon or Malay Nationalist?: Mobilising Zubir Said Across the Causeway1Ĭhapter 10 The Popularisation and Contestation of Dangdut Koplo in the Indonesian Music IndustryĬhapter 11 KL Sing Song: Alternative Voices in the Kuala Lumpur Singer-Songwriter Circuit (2000–2009)Ĭhapter 12 Hijrah and the Rise of Nasyid Kontemporari in MalaysiaĬhapter 13 Branding the Nation through Ahmad Nawab’s “Malaysia Truly Asia”Ĭhapter 14 The Indonesian Popular Music Industry: Navigating Shadows of Politics and Cultural UncertaintyĬhapter 15 More than Mimicry: Alternative Modernities in the Birth and Development of Iban Popular MusicĬhapter 16 Transcultural Commodities: A Comparative Analysis of Sama-Bajau Popular Musics in Maritime Southeast AsiaĬODA: Global Movements, Local Sounds: Nusantara Music and Artists OverseasĪferword: Bercerita (Sharing Stories) with M.